“There are things in there that only have been rumored to exist,” a record collector once told Deborah Gillaspie, the curator of the University’s Chicago Jazz Archive. After peering into the archiv...
Chicago saxophonist Ken Vandermark is the great populist of avant-garde jazz. When most listeners think of the diverse music grouped under the avant-garde umbrella, grating dissonance, atonal impro...
I lay silently on my back—eyes closed, mouth slightly open—as a tall blond woman massaged moisturizing oils into my face. Next to me, Ben Kolak, erstwhile Fire Escape chairman and Crime Fiction pro...
Wynton Marsalis has never been interested in just making music. From the beginning of his career, he’s delivered his jazz with a message—savaging jazz-rock fusion, exploring the legacy of segregati...
Kenny Werner’s Lawn Chair Society is a hard album to pin down, other than to say that it’s ambitious and creative. The album is a swirl of styles and moods, moving between trippy planetarium music,...
No one seems to know exactly how to categorize Ron Rosenbaum, the incoming Vare Writer-in-Residence at the University. Is he a narrative journalist, a creative nonfiction writer, or a cultural essa...
Friday/ March 2
The chic and trendy will descend on Ida Noyes Hall for Moda’s Spring Fashion Show, a showcase of the work of Chicago- and campus-based designers. In addition to cutting-edge haut...
Saxophonist Chris Potter might be the hardest working musician in jazz. When he’s not touring with his own group or the Dave Holland Quintet—the jazz supergroup in which he’s played for close to 10...
Friday/ February 23
The psychotherapeutic treatment of Beau Willie Brown, a black Vietnam War veteran, serves as the dramatic foundation of UT’s production of but i cd only whisper. The play, wr...
Friday/ February 16
University Theater presents two short and innovative plays as part of “Lost and Found,” its second and final workshop week of the quarter. The first play, The No Way Home, is...
Stefano Bollani’s Piano Solo might be the most lushly recorded album ever produced. Each time Bollani strokes a note, it glows with dark timbre, lingering with haunting resonance as it fades to sil...
Jazz and classical music have a lot in common these days—a niche market, strong institutional support, sagging record sales—but when it comes to rhythm and harmony, they’re often far apart. While t...
Mississippi bluesmen, Carolina bluegrass players, bayou fiddlers, gospel divas and more will make their way to Mandel Hall for the U of C Folklore Society’s annual Fol...
The Hilliard Ensemble, a world-renowned vocal group, has specialized in early music since its beginning in 1974. Yet the Ensemble is also an adventurous and flexible u...
In recent years, comedian Bob Saget has transformed his image from Danny Tanner, the good-guy father figure on the long-running sitcom Full House, to a raunchy comedian who recently made waves with...
Clue, the 1985 film based on the infamous Parker Brothers board game, is a freewheeling, kitschy ride of a movie that didn’t impress too many critics but has gained an...
Director Darren Aronofsky kicks off Doc Films’ 75th anniversary celebration with a Q&A session and a screening of his latest film, The Fountain. Aronofsky directed the...
Odean Pope Saxophone Choir,
Locked & Loaded: Live at the Blue Note
There are few sounds as bounteous as nine saxophones roaring and swooning in joyful unison. Yet it’s the striking precision o...
Friday / November 17
Trio Mediaeval, the much-lauded Scandinavian threesome, brings its precise interpretations of early choral works to Rockefeller Chapel. The trio will present early Norwegian...
Friday / November 10
Classical music ensembles usually don’t have to worry about losing members to injury, but the Emerson Quartet faced that very predicament after violist Lawrence Dutton went ...
Friday / November 3
Broken Bride, the hot UT event of the week, is a half hour–long rock opera that features dragons, zombies, demons, and a heartwarming love story. Tickets have been going fast...
Part road movie, part absurdist documentary, Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan is an outrageous travelogue, celebrating the sideshows of our Americ...
Friday, October 27
In the summer of 2005, a group of seasoned U of C filmmakers shot a wildly ambitious feature-length project entitled Crime Fiction. Over the next year and a half, they spent c...
The Tomasz Stanko Quartet walked onto the stage Wednesday night with characteristic poise and quiet intensity. This was perhaps the biggest stop on their 12-city American tour—Poland’s greatest jaz...
Friday, October 20
Christmas Eve is rarely fodder for absurdist dark comedy. Leave it to 2005 Nobel Laureate Harold Pinter to transform that silent night into a Kafkaesque tale of a government p...
Friday, October 13
COUP is holding Blues and Ribs, its annual festival of tunes and chow, featuring Charlie Love, The Nightburners, and Nellie “Tiger” Travis and her Men in Black. The evening wi...
Nik Bärtschs Ronin, Stoa, ECM
Stoa, the major label debut album of Nik Bärtschs Ronin, is a precise and pretentious attempt to unify minimalism, funk, jazz, and world music with a Zen aesthetic....
In college, if were lucky, many of us will make friends whom we will have for the rest of our lives. Our lives will change, without a doubt, but hopefully some of these treasured bonds will remain...
Playing to a sparse but attentive Tuesday night crowd at the Empty Bottle, the awkwardly namedbut pristine soundingKessler/Lonberg-Holm/McBride/Vandermark Chamber Quartet balanced improvisational...
Jazz, like all art forms that become institutionalized, is always at risk of being engulfed by its own history. I know people who consider themselves jazz fans, but whose knowledge of the music abr...
Keith Jarrett has never aspired to modesty. At the age of 26, Jarrett recorded an album of completely improvised solo piano, shunning the safety nets of accompaniment and song structure in order to...
Charles Lloyd's career has been a drama of many acts. In 1966, Lloyd's quartet with Keith Jarrett, Jack DeJohnette, and Cecil McBee was the most popular group in jazz, slaying audiences from Monter...
Jazz audiences are not usually the ecstatic sort. Even when in the presence of a legend, jazz audiences tend toward respectful appreciation rather than raucous adoration. Any musical audience's beh...
Jazz is often celebrated as a quintessentially American art form, but from its very beginning, it has captivated an international audience. Throughout the years, this global audience has helped sup...
Paul Motian, Bill Frisell, and Joe Lovano are three of the most intriguingly adventurous players on today's jazz scene. All of them have crafted careers based on their versatility, moving between p...
If one were to study the tastes of jazz critics across the country and then attempt to use that information to create the ideal musician, that musician would probably be a lot like pianist Jason Mo...
Over the past ten years, Chicago-based guitarist Jeff Parker has worked with artists from disparate sectors of the jazz world, moving between the mainstream and the avant-garde and fusion fringes. ...
Albert Ayler, the dynamic and short-lived tenor saxophonist, famously embodied his part in what he considered the "Holy Trinity" of free jazz tenors: He was the Holy Ghost, Pharaoh Sanders was the ...
At its best, jazz music fosters a synergy of disparate elements. It is a medium through which the wailing melodies of a saxophone and the deep-grooved rhythms of the drums can understand each other...
Over the past 10 years, Brad Mehldau has created a body of piano trio music to rival some of the most hallowed names in the jazz canon. When Mehldau broke onto the jazz scene in the early '90s, he ...
The Roscoe Mitchell Quartet crafted an evening of complex, ethereal music last Friday at HotHouse. It would be impossible to pigeonhole the group into a specific genre; certainly it is heavily inde...
Von Freeman and Jason Moran, jazz stars of different eras, co-headlined an epic on Saturday night, October 18, at HotHouse. Jazz's past, present, and future were all celebrated with equal vigor. Th...